apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Joachim Murat, King of Naples and of the Two Sicilies
Portrait of Joachim Murat, King of Naples and of the Two Sicilies by François Gérard

plate no. 5359

Portrait of Joachim Murat, King of Naples and of the Two Sicilies

François Gérard

oilNeoclassicismportraitportraitfigureroyaltyclothingcrownfurniture
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as painting complex textures like fabric and fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Block in the background with broad strokes, establishing the overall color and value.

  3. step 03

    Establish the main shapes of the figure, including the clothing and pose.

  4. step 04

    Begin layering in the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the clothing, including the textures of the fabric, fur, and embellishments.

  6. step 06

    Paint the crown, scepter, and other accessories, focusing on their metallic sheen.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · red · white · gold · brown

secondary · blue · black · silver · teal

Achieve the red tones by mixing cadmium red with alizarin crimson and a touch of white. Create the gold tones by mixing yellow ochre, burnt sienna, and a touch of metallic gold paint. Mix the skin tones using white, yellow ochre, burnt sienna, and a touch of red.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·fur rendering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy or dull colors.

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (red, white, gold, brown, blue, black, silver, teal, yellow ochre, burnt sienna, alizarin crimson, cadmium red)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs