apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Jeanne Chaine
Portrait of Jeanne Chaine by Odilon Redon

plate no. 2717

Portrait of Jeanne Chaine

Odilon Redon, 1903

pastel, paperSymbolismportraitportraitfigurewomandresschairbackground
some experience helpful

Recreating this painting will help students develop skills in layering colors with pastels to create depth and texture, as well as understanding how to suggest details rather than rendering them precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall color scheme by applying broad strokes of pastel to the main areas (skin, dress, background).

  3. step 03

    Begin layering colors within each area, focusing on building up subtle variations in hue and value.

  4. step 04

    Pay attention to the direction of your pastel strokes to create texture and movement.

  5. step 05

    Refine the details of the face, hands, and dress, using softer pastels for blending.

  6. step 06

    Add highlights and shadows to create form and depth.

  7. step 07

    Soften edges and blend colors where necessary to achieve a hazy, dreamlike effect.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making final adjustments as needed.

color palette

primary · pink · blue · brown · gold

secondary · green · yellow · purple

Achieve the subtle pinks by mixing white with red and a touch of brown. The blues are layered with purples and greens to create depth. The background uses a mix of all colors to create a hazy effect.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·soft edges

common pitfalls

  • →overworking the details
  • →using too much pressure when applying pastels
  • →creating harsh edges
  • →not blending colors sufficiently

materials

surface · pastel paper

required

  • ·soft pastels
  • ·pastel paper
  • ·kneaded eraser
  • ·fixative spray
  • ·drawing board
  • ·paper towels
  • ·blending stumps

optional

  • ·palette knife
  • ·workable fixative
  • ·pastel pencils

Use a sanded pastel paper for better adhesion of the pastels. Work in a well-ventilated area when using fixative.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Peyrelebade Landscape

Peyrelebade Landscape

Odilon Redon

Anzac, the Landing

Anzac, the Landing

George Washington Lambert