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home·artworks·Portrait of Jacques Louis David
Portrait of Jacques Louis David by Jérôme-Martin Langlois

plate no. 6462

Portrait of Jacques Louis David

Jérôme-Martin Langlois, 1824

oil, canvasNeoclassicismportraitportraitfiguremanbookartistclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering realistic skin tones. It also provides practice in creating depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, book, and hand on the canvas.

  2. step 02

    Establish the background with a dark, even tone, leaving space for the figure.

  3. step 03

    Block in the main areas of the face with mid-tones, paying attention to the light source.

  4. step 04

    Gradually build up the shadows and highlights on the face, blending carefully to create smooth transitions.

  5. step 05

    Paint the clothing and book, focusing on the folds and details.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, refining the likeness.

  7. step 07

    Refine the highlights and shadows throughout the painting to enhance the form.

  8. step 08

    Add final details, such as the pen in the hand and the drawing on the book.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · burnt sienna · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, raw umber, and a touch of red. Darken colors with ivory black and raw umber. Use white to create highlights.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·blending
  • ·glazing
  • ·underpainting

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Incorrect placement of highlights and shadows.
  • →Neglecting the subtle color variations in the skin.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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