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home·artworks·Portrait of Jacques-Louis David
Portrait of Jacques-Louis David by François-Joseph Navez

plate no. 6685

Portrait of Jacques-Louis David

François-Joseph Navez, 1817

oilNeoclassicismportraitportraitfiguremanclothinghistoricalface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value gradations for skin tones, and rendering of fabric textures. It also provides practice in creating a focal point through careful use of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the head, shoulders, and clothing, paying attention to the overall composition.

  2. step 02

    Establish the main light and shadow areas using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the background with a dark, muted green or brown.

  4. step 04

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Paint the clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to accuracy.

  7. step 07

    Refine the highlights and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final details, such as the hair and any small accessories.

color palette

primary · ivory black · titanium white · burnt umber · raw sienna

secondary · cadmium red · viridian green · ultramarine blue

Mix skin tones using white, burnt umber, raw sienna, and a touch of red. Achieve the dark background by mixing black, umber, and a hint of green or blue. Use white and a touch of blue for the white shirt.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create enough contrast between the light and shadow areas.
  • →Ignoring the subtle color variations in the skin and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the painting.

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