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home·artworks·Portrait of Ivan Vasilievich Argamakov
Portrait of Ivan Vasilievich Argamakov by George Dawe

plate no. 5648

Portrait of Ivan Vasilievich Argamakov

George Dawe, 1828

oilNeoclassicismportraitportraitfiguremilitaryuniformmanbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in painting details like fabric and metallic textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background with broad, blended strokes of muted greens and browns.

  3. step 03

    Block in the main areas of color for the face, hair, and uniform, paying attention to the light and shadow.

  4. step 04

    Refine the facial features, adding details like the eyes, nose, and mouth, and blending the skin tones.

  5. step 05

    Paint the uniform, focusing on the details of the collar, epaulettes, and buttons.

  6. step 06

    Add the medals and decorations, paying close attention to their shapes, colors, and textures.

  7. step 07

    Refine the hair, adding highlights and shadows to create volume and texture.

  8. step 08

    Add final details and adjust the values to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix skin tones using yellow ochre, burnt umber, and titanium white, adding small amounts of cadmium red for warmth. Achieve the dark uniform color by mixing ivory black and burnt umber, and use ultramarine blue to cool it down.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing
  • ·rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the likeness of the subject.
  • →Making the uniform too flat and lacking in detail.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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related guides

oil painting for beginners →how to learn by studying the masters →
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