
plate no. 3524
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones. It also provides practice in rendering fabric and textures.
technical profile
approach — 8 steps
Sketch the basic proportions and pose of the figure on the canvas.
Establish the background color with a thin wash of muted green/gray.
Block in the main shapes of the face, hair, and clothing with basic colors.
Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.
Develop the details of the hair, using small brushstrokes to create texture.
Paint the clothing, focusing on the folds and drapery, and the fur texture.
Add the details of the lace collar, using fine brushstrokes.
Refine the overall painting, adjusting values and adding final details.
color palette
primary · titanium white · raw umber · burnt sienna · cadmium red
secondary · ivory black · yellow ochre · ultramarine blue
Mix skin tones using white, raw umber, burnt sienna, and a touch of red. Muted greens and grays for the background can be achieved by mixing black, white, and a touch of blue or yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs