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home·artworks·Portrait of Greate russian empress Catherine II
Portrait of Greate russian empress Catherine II by Dmitry Levitzky

plate no. 7211

Portrait of Greate russian empress Catherine II

Dmitry Levitzky

oilNeoclassicismportraitportraitfiguredraperylandscapefoliagerainbow
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex drapery and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figure and background elements.

  2. step 02

    Establish the main light source and block in the major shadow areas.

  3. step 03

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Work on the drapery, paying attention to the folds and how light interacts with the fabric.

  5. step 05

    Develop the background, including the landscape and architectural elements.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth.

  7. step 07

    Refine the details of the clothing and accessories.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red · ultramarine blue · sap green

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Create variations in the drapery by mixing burnt umber with ivory black and titanium white. Mix greens for foliage with ultramarine blue and yellow ochre.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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