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home·artworks·Portrait of General Jose de San Martin
Portrait of General Jose de San Martin by François-Joseph Navez

plate no. 7564

Portrait of General Jose de San Martin

François-Joseph Navez, 1824

oilNeoclassicismportraitportraitfiguremanclothinghistoricalneoclassical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of clothing folds. It also offers practice in creating a convincing sense of depth and form through value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying close attention to the head and shoulders.

  2. step 02

    Establish the background with a thin wash of muted colors, creating a soft, atmospheric effect.

  3. step 03

    Block in the main areas of the face with light and shadow, focusing on the planes of the face.

  4. step 04

    Develop the details of the eyes, nose, and mouth, using subtle color variations to create a lifelike appearance.

  5. step 05

    Paint the clothing, paying attention to the folds and drapery, and the way light interacts with the fabric.

  6. step 06

    Refine the background and add any final details, such as highlights and shadows.

  7. step 07

    Glaze with thin layers of color to unify the painting and add depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of raw umber. Use ivory black and raw umber to create the dark tones of the clothing. Mix white with a touch of raw umber and blue for the background.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too bright or saturated.
  • →Failing to create a convincing sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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