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home·artworks·Portrait of G. Hirschman
Portrait of G. Hirschman by Konstantin Somov

plate no. 1869

Portrait of G. Hirschman

Konstantin Somov, 1911

oilSymbolismportraitportraitfiguredressshawlchairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures with subtle color variations. It also provides practice in creating a sense of depth and atmosphere through soft edges and tonal values.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, focusing on the dress, shawl, and background.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the dress and shawl, using layering and glazing techniques to create depth and texture.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Make final adjustments to the composition and details to achieve a cohesive and balanced painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · viridian green · yellow ochre

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use burnt umber and ivory black for shadows and depth. Mix viridian green with burnt umber to create the dark greens of the shawl.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of soft edges and atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·alizarin crimson oil paint
  • ·viridian green oil paint

Use a medium-grain canvas for optimal texture. Consider using a toned canvas to establish a base color.

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