apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of French Journalist Louis-François Bertin
Portrait of French Journalist Louis-François Bertin by Jean Auguste Dominique Ingres

plate no. 9006

Portrait of French Journalist Louis-François Bertin

Jean Auguste Dominique Ingres, 1832

oil, canvasNeoclassicismportraitportraitfiguremanclothingchairbackground
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering of fabric textures, and subtle value gradations for realistic form. It also provides practice in capturing a likeness and conveying character through facial expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's proportions and pose.

  2. step 02

    Block in the main shapes and values of the background, clothing, and skin tones.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing, including the folds and textures of the fabric.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Work on the hands, carefully observing the anatomy and proportions.

  7. step 07

    Refine the background and chair, adding subtle details.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the dark blacks by mixing ivory black and burnt umber. Use ultramarine blue to cool down some of the darker areas.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the clothing and background.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 20x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs