apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Francois-Marius Granet
Portrait of Francois-Marius Granet by Jean Auguste Dominique Ingres

plate no. 1587

Portrait of Francois-Marius Granet

Jean Auguste Dominique Ingres, 1807

oil, canvasNeoclassicismportraitportraitfigurebuildingskybookcityscape
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as rendering atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the proportions of the figure and the placement of the background elements.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Begin blocking in the main areas of color, starting with the darkest areas of the cloak and hair.

  4. step 04

    Develop the skin tones, using subtle layers of color to create a realistic effect.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Paint the background, focusing on creating a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · ultramarine blue

Mix skin tones with white, red, yellow ochre, and a touch of umber. Achieve the dark cloak color by mixing black and umber. Use ultramarine and white for the sky.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth in the background.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·odorless mineral spirits
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a medium to speed up drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs