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home·artworks·Portrait of Françoise de Châlus
Portrait of Françoise de Châlus by Marie-Gabrielle Capet

plate no. 2148

Portrait of Françoise de Châlus

Marie-Gabrielle Capet

oilNeoclassicismportraitportraitfiguredresslacehairchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering delicate fabrics and subtle skin tones. It also provides practice in creating soft, diffused lighting and capturing a likeness.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair within an oval format.

  2. step 02

    Establish the background with a thin, muted wash of color.

  3. step 03

    Block in the main areas of color for the dress, shawl, and hair, focusing on accurate value relationships.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in tone and color.

  5. step 05

    Add details to the dress and shawl, including the lace and folds, using small, delicate brushstrokes.

  6. step 06

    Develop the hair, creating a sense of volume and texture with layered strokes.

  7. step 07

    Refine the background and chair, adding subtle details and shadows.

  8. step 08

    Add final highlights and details to the face, dress, and hair to complete the painting.

color palette

primary · titanium white · alizarin crimson · ultramarine blue · yellow ochre

secondary · raw umber · ivory black · cadmium yellow light

Achieve the skin tones by mixing white, alizarin crimson, yellow ochre, and a touch of ultramarine blue. Muted purples for the dress can be created by mixing alizarin crimson and ultramarine blue with white. Use raw umber and ivory black to create the darker tones in the background and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering lace

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish accurate value relationships.
  • →Using colors that are too saturated.
  • →Losing the softness and delicacy of the original painting.

materials

surface · stretched oval canvas

required

  • ·stretched oval canvas
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·small round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ivory black oil paint

Use high-quality oil paints for best results. A smooth canvas surface will help achieve the delicate details in the painting.

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