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home·artworks·Portrait of Empress Catherine II with traveling dress
Portrait of Empress Catherine II with traveling dress by Mikhail Shibanov

plate no. 8624

Portrait of Empress Catherine II with traveling dress

Mikhail Shibanov, 1787

oilNeoclassicismportraitportraitfigureclothinghathistoricalroyal
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in depicting intricate details and ornamentation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the main shapes and values of the background, hat, face, and clothing using thin washes of color.

  3. step 03

    Develop the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Build up the layers of color in the clothing, focusing on the folds and highlights.

  6. step 06

    Add the intricate details of the embroidery and ornamentation.

  7. step 07

    Refine the background and adjust the overall values to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · crimson red · ivory black · titanium white

secondary · yellow ochre · raw umber · gold

Mix various shades of red by combining crimson with white and small amounts of black or umber. Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create gold tones by mixing yellow ochre with raw umber and a touch of crimson.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·detail work

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to capture the likeness of the subject.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·crimson red oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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