apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Derenik Demirchyan
Portrait of Derenik Demirchyan by Eduard Isabekyan

plate no. 6553

Portrait of Derenik Demirchyan

Eduard Isabekyan

oil, canvasSymbolismportraitportraitfiguremountainslandscapeskysuit
experienced study

Recreating this painting will help students develop skills in portraiture, capturing likeness and expression, as well as landscape painting, specifically rendering atmospheric perspective and varied textures of rock and foliage. It also provides practice in color mixing to achieve subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, mountains, and sky.

  2. step 02

    Establish the basic color blocks for the sky, mountains, and figure, paying attention to the overall value structure.

  3. step 03

    Start refining the mountain details, using broken color and varied brushstrokes to suggest texture and form.

  4. step 04

    Develop the figure's form, focusing on accurate proportions and subtle tonal changes to create volume.

  5. step 05

    Add details to the face, paying close attention to the eyes, nose, and mouth to capture the likeness.

  6. step 06

    Work on the clothing, using thicker paint and bolder brushstrokes to create folds and shadows.

  7. step 07

    Refine the foreground elements, adding details to the grass and rocks.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the mountain colors by mixing ultramarine blue, yellow ochre, and burnt umber with white. Use cadmium red and viridian green to create the greens in the landscape. Mix small amounts of red and blue with white for the skin tones.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·glazing
  • ·impasto

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the atmospheric perspective in the landscape.
  • →Using colors that are too saturated and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, cadmium red, viridian green, raw sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull