apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Count Nikolay Gouriev
Portrait of Count Nikolay Gouriev by Jean Auguste Dominique Ingres

plate no. 9786

Portrait of Count Nikolay Gouriev

Jean Auguste Dominique Ingres, 1821

oil, canvasNeoclassicismportraitportraitfigurelandscapeskymountainsclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing blending techniques to create smooth transitions in the background and clothing.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Block in the background with broad strokes, establishing the atmospheric perspective and the tonal values of the sky and mountains.

  3. step 03

    Lay in the basic shapes and values of the figure, starting with the head and then moving to the clothing and drapery.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow to create a sense of depth and realism.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Add the highlights and shadows to the drapery, creating a sense of movement and volume.

  7. step 07

    Refine the background details, such as the trees and buildings, to create a sense of depth and atmosphere.

  8. step 08

    Add final details and adjustments to the painting, ensuring that all elements are in harmony.

color palette

primary · ivory black · crimson red · ultramarine blue · yellow ochre

secondary · titanium white · raw umber · cadmium yellow

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create atmospheric perspective in the background by adding blue to the base colors.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Overblending, resulting in a flat, lifeless appearance
  • →Neglecting the importance of atmospheric perspective in the background
  • →Inaccurate skin tone mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·crimson red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs