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home·artworks·Portrait of Count Anton Lamberg-Sprinzenstein
Portrait of Count Anton Lamberg-Sprinzenstein by Martin Ferdinand Quadal

plate no. 6467

Portrait of Count Anton Lamberg-Sprinzenstein

Martin Ferdinand Quadal, 1784

oil, canvasNeoclassicismportraitportraitdogfigureclothinglandscapetrees
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for smooth skin tones and rendering fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and dog.

  2. step 02

    Establish the background using broad, blended strokes of dark greens and browns.

  3. step 03

    Block in the main shapes of the figure and dog with simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to light and shadow.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the jacket and shirt.

  6. step 06

    Add details to the dog's fur, using varied brushstrokes to create texture.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights.

  8. step 08

    Add final details and glazes to enhance depth and realism.

color palette

primary · viridian green · ivory black · titanium white · burnt umber

secondary · cadmium red light · yellow ochre · raw sienna

Mix greens by blending viridian green with ivory black and yellow ochre. Achieve skin tones by mixing titanium white, cadmium red light, and yellow ochre, adjusting proportions for highlights and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure or dog
  • →Overblending, resulting in a flat appearance
  • →Inaccurate skin tones
  • →Neglecting the subtle variations in value

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·viridian green oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone base.

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oil painting for beginners →how to learn by studying the masters →
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