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home·artworks·Portrait of Brother Ettore
Portrait of Brother Ettore by Mario Sironi

plate no. 8646

Portrait of Brother Ettore

Mario Sironi, 1910

oilDivisionismportraitportraitfigureboyshadowwallclothing
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on a figure and creating texture with visible brushstrokes. It also provides practice in mixing subtle color variations to represent form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up layers of paint, focusing on the planes of the face and body.

  4. step 04

    Use short, directional brushstrokes to define the form and create texture.

  5. step 05

    Mix subtle color variations to represent the nuances of light and shadow.

  6. step 06

    Pay close attention to the edges of the figure, softening some and defining others.

  7. step 07

    Add details to the face and clothing, such as the eyes, mouth, and folds in the fabric.

  8. step 08

    Refine the overall composition and adjust the values as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · titanium white · ivory black

Mix blues and browns to create the various shades of the clothing. Use yellow ochre and white for the background, adding small amounts of blue and brown to create subtle variations. Mix burnt sienna and white for the skin tones, adding small amounts of blue for shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overblending the colors, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in light and shadow.
  • →Getting the proportions of the figure wrong.
  • →Ignoring the texture of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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