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home·artworks·The entrance of the gate in Marquayrol
The entrance of the gate in Marquayrol by Henri Martin

plate no. 4367

The entrance of the gate in Marquayrol

Henri Martin

oilDivisionismlandscapebuildingdoorflowersfoliagestepsgarden
some experience helpful

Recreating this painting will help students develop skills in pointillism and color mixing to create subtle variations in tone and texture. Students will also learn to simplify complex forms into small, distinct brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the building, door, steps, and foliage.

  2. step 02

    Establish the main color blocks for the building, door, and surrounding greenery.

  3. step 03

    Begin applying small, distinct dots of color to build up the texture and form of the building.

  4. step 04

    Focus on the foliage, using varying shades of red, orange, and yellow to create depth and movement.

  5. step 05

    Add details to the door and steps, paying attention to the subtle shifts in color and value.

  6. step 06

    Paint the flower pots and flowers, using small brushstrokes to capture their texture and form.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · cadmium red · titanium white

secondary · burnt umber · sap green · cadmium orange

Mix yellow ochre with white and a touch of red for the building's walls. Create various shades of red by mixing cadmium red with orange, umber, and white. Achieve the foliage's colors by layering reds, oranges, and yellows.

techniques

  • ·pointillism
  • ·color layering
  • ·broken color
  • ·scumbling
  • ·optical mixing

common pitfalls

  • →Over-blending the colors, which will lose the pointillist effect.
  • →Using too few colors, resulting in a flat and lifeless painting.
  • →Ignoring the subtle shifts in color and value, which will flatten the form.
  • →Not varying the size and density of the dots, which will make the painting look monotonous.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)
  • ·easel

optional

  • ·medium gloss
  • ·retarder medium
  • ·painting varnish

Use high-quality paints for best results. Consider using a medium to slow the drying time of the paints, especially if using acrylics.

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oil painting for beginners →how to learn by studying the masters →
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