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home·artworks·Knitting Girl
Knitting Girl by Giovanni Segantini

plate no. 0068

Knitting Girl

Giovanni Segantini, 1888

oilDivisionismgenre paintingfiguresheepgrassvillageskyfence
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice applying broken color techniques to create texture and light.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, sheep, and village.

  2. step 02

    Establish the horizon line and the main shapes of the buildings.

  3. step 03

    Block in the large areas of color: sky, grass, figure's clothing, and sheep.

  4. step 04

    Begin applying broken color strokes to the grass, using various shades of green, yellow, and brown.

  5. step 05

    Develop the details of the figure, paying attention to the folds in the clothing and the facial features.

  6. step 06

    Add texture to the sheep's wool using short, broken strokes of white, yellow, and gray.

  7. step 07

    Refine the details of the village in the background, using small strokes to suggest the buildings and trees.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · titanium white · raw umber

secondary · burnt sienna · cadmium yellow light · alizarin crimson

Mix various shades of green for the grass by combining yellow ochre, ultramarine blue, and white. Use burnt sienna and white to create the warm tones in the sheep's wool. Achieve the blue-gray of the figure's dress by mixing ultramarine blue, raw umber, and white.

techniques

  • ·broken color
  • ·pointillism
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →over-blending colors, resulting in a muddy effect
  • →neglecting the importance of light and shadow
  • →getting lost in the details too early
  • →not varying brushstrokes enough

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use high-quality oil paints for best results. Consider using a slightly textured canvas to enhance the broken color effect.

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