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home·artworks·Portrait of Boris Vasnetsov, son of the artist
Portrait of Boris Vasnetsov, son of the artist by Viktor Vasnetsov

plate no. 9233

Portrait of Boris Vasnetsov, son of the artist

Viktor Vasnetsov, 1889

oil, canvasSymbolismportraitportraitfigureboyclothingchairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones, as well as understanding the use of soft, blended brushstrokes to create a sense of depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the boy's head, shoulders, and chair.

  2. step 02

    Block in the background with a thin layer of blue and brown, focusing on the overall value.

  3. step 03

    Establish the main areas of light and shadow on the face using thin washes of color.

  4. step 04

    Begin building up the skin tones with layers of blended paint, paying attention to subtle variations in color and value.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Paint the clothing with broad, loose brushstrokes, capturing the folds and shadows.

  7. step 07

    Add details to the chair and background, maintaining a soft and blurred effect.

  8. step 08

    Refine the edges and details throughout the painting, ensuring a cohesive and harmonious result.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red light · raw sienna

Mix skin tones by blending white, yellow ochre, burnt umber, and a touch of red. Use ultramarine blue and burnt umber to create the dark tones of the clothing and background.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall softness of the painting.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or intense.
  • →Neglecting the importance of value in creating form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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