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home·artworks·Portrait of Bindo Altoviti
Portrait of Bindo Altoviti by Jean Auguste Dominique Ingres

plate no. 2950

Portrait of Bindo Altoviti

Jean Auguste Dominique Ingres

oilNeoclassicismportraitportraitfiguremanclothinghathair
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, subtle value transitions, and capturing likeness. It also provides practice in rendering fabric and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hat.

  2. step 02

    Establish the light source and map out the main areas of light and shadow.

  3. step 03

    Begin blocking in the background with a thin layer of color.

  4. step 04

    Start with the face, mixing skin tones and gradually building up the values.

  5. step 05

    Move on to the clothing, paying attention to the folds and drapery.

  6. step 06

    Render the hair, using thin layers and directional strokes.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Darker areas use more umber and black. The clothing is primarily black with subtle variations of gray and brown.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value study
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong, especially the facial features.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle variations in value.
  • →Ignoring the direction of the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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