apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Benjamin Franklin
Portrait of Benjamin Franklin by Joseph Duplessis

plate no. 8923

Portrait of Benjamin Franklin

Joseph Duplessis, 1778

oil, canvasNeoclassicismportraitportraitfigureclothingfurhistorical figureoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportioning and capturing likeness, as well as blending techniques to create smooth skin tones and subtle shading.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic oval shape and the position of the figure within it.

  2. step 02

    Sketch the main features of the face, paying close attention to proportions and angles.

  3. step 03

    Block in the large shapes of color for the background, face, clothing, and fur collar.

  4. step 04

    Begin layering and blending the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the details of the clothing, including the folds, buttons, and textures.

  6. step 06

    Paint the fur collar, using short, broken brushstrokes to create the illusion of texture.

  7. step 07

    Refine the facial features, adding details to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · burnt sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix skin tones using white, raw umber, and a touch of red. Use yellow ochre and white for the fur collar, adding small amounts of burnt sienna for shadows. Mix the red coat with burnt sienna and a touch of black.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the face.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Using colors straight from the tube without mixing.
  • →Neglecting to add enough contrast between highlights and shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: raw umber, burnt sienna, titanium white, ivory black, yellow ochre, cadmium red light, ultramarine blue
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs