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home·artworks·Portrait of Augusta Collin née Petzholdt
Portrait of Augusta Collin née Petzholdt by Christian Albrecht Jensen

plate no. 7225

Portrait of Augusta Collin née Petzholdt

Christian Albrecht Jensen, 1827

oil, canvasNeoclassicismportraitportraitfigurewomanclothinghaircollar
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating subtle gradations of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Block in the background with a dark, muted color.

  3. step 03

    Establish the main areas of light and shadow on the face, using thin washes of color.

  4. step 04

    Begin to refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, collar, and clothing, using small brushstrokes.

  6. step 06

    Refine the skin tones, adding subtle variations in color and value.

  7. step 07

    Glaze with thin layers to unify the painting and add depth.

  8. step 08

    Add final highlights and details.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. Dark areas are created by adding black and umber to the base skin tone. The collar is primarily white with subtle grey stripes created by mixing white and black.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Making the background too bright or distracting.
  • →Failing to capture the likeness of the subject.
  • →Using too much paint and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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