apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Artur Potocki
Portrait of Artur Potocki by François Gérard

plate no. 3316

Portrait of Artur Potocki

François Gérard

oilNeoclassicismportraitportraitfiguremanclothingskyclouds
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric folds. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hand.

  2. step 02

    Block in the main areas of color: skin tones, clothing, and background.

  3. step 03

    Begin refining the skin tones, using layers of thin paint to build up subtle variations in color and value.

  4. step 04

    Work on the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Render the clothing, paying attention to the folds and shadows.

  6. step 06

    Create the background, blending the colors to create a sense of depth.

  7. step 07

    Add highlights to the face and clothing to create a sense of light.

  8. step 08

    Refine the details and make any necessary adjustments.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use black and umber to create shadows and depth in the clothing and background.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs