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home·artworks·Portrait of Anne Zernike
Portrait of Anne Zernike by Jan Mankes

plate no. 3158

Portrait of Anne Zernike

Jan Mankes, 1915

oilSymbolismportraitfigureportraitinteriorwindowtablelamp
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing and creating atmospheric perspective with muted tones. It also provides practice in rendering the human figure in a simplified, expressive style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, table, and window, paying attention to proportions and placement.

  2. step 02

    Block in the large areas of color: the background, the figure's dress and blouse, and the table.

  3. step 03

    Refine the colors and values of the background, creating a sense of light and atmosphere.

  4. step 04

    Develop the form of the figure, focusing on the subtle transitions between light and shadow.

  5. step 05

    Add details to the table and lamp, paying attention to the reflected light.

  6. step 06

    Refine the edges of the shapes, softening some and sharpening others to create depth.

  7. step 07

    Add the details of the necklace.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · burnt umber · yellow ochre · ivory black

secondary · raw sienna · Prussian blue · titanium white

Achieve the muted tones by mixing complementary colors and adding white or black to adjust the value. Use thin glazes to build up the colors gradually.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a clear focal point.
  • →Not paying attention to the subtle transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·raw sienna oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

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