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home·artworks·Portrait of Alphonse Leroy
Portrait of Alphonse Leroy by Jacques-Louis David

plate no. 9522

Portrait of Alphonse Leroy

Jacques-Louis David, 1783

oil, canvasNeoclassicismportraitportraitmandeskbooksscientific instrumentfeather
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also improve their understanding of chiaroscuro and creating depth through value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure, desk, and objects.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main shadows on the figure and objects.

  3. step 03

    Start building up the skin tones using thin layers of paint, paying close attention to the subtle shifts in value and color.

  4. step 04

    Define the details of the face, including the eyes, nose, and mouth, using small brushes and precise strokes.

  5. step 05

    Render the clothing, focusing on the folds and highlights to create a sense of volume.

  6. step 06

    Paint the desk, books, and scientific instrument, capturing their textures and details.

  7. step 07

    Refine the overall composition by adjusting the values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and ivory black to create the dark background. Mix red and umber for the jacket.

techniques

  • ·portrait painting
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones
  • →Overly harsh or flat lighting
  • →Lack of attention to detail

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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