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home·artworks·Portrait of Adélaïde Labille-Guiard
Portrait of Adélaïde Labille-Guiard by Marie-Gabrielle Capet

plate no. 7713

Portrait of Adélaïde Labille-Guiard

Marie-Gabrielle Capet

oilNeoclassicismportraitportraitfiguredresshatmusiclace
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and fabric textures. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with a thin wash of neutral colors, gradually building up darker values.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and volume.

  4. step 04

    Begin refining the skin tones, using subtle color variations to create a sense of realism.

  5. step 05

    Work on the dress, focusing on the folds and highlights to create a sense of depth and texture.

  6. step 06

    Add details to the hat and feather, capturing their unique shapes and textures.

  7. step 07

    Paint the music sheet, paying attention to the details of the notes and lines.

  8. step 08

    Refine the overall painting, adjusting values and adding final details to create a cohesive and polished look.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the dark blues of the dress by mixing black with ultramarine blue. Use white and a touch of yellow ochre for the music sheet.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions.
  • →Failing to create a sense of depth and volume.
  • →Getting lost in details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time and effort.

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oil painting for beginners →how to learn by studying the masters →
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