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Portrait of a woman with a muff by Marie-Guillemine Benoist

plate no. 9022

Portrait of a woman with a muff

Marie-Guillemine Benoist

oil, canvasNeoclassicismportraitportraitwomanfur muffscarfheadbandclothing
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting different textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start refining the skin tones, layering colors to create depth and dimension.

  4. step 04

    Work on the clothing, paying attention to the folds and highlights.

  5. step 05

    Render the fur muff, using short, broken brushstrokes to create texture.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values.

color palette

primary · titanium white · raw umber · yellow ochre · cadmium yellow

secondary · burnt sienna · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, raw umber, and a touch of red. Use ultramarine blue and burnt sienna to create neutral grays for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·blending
  • ·rendering fur

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (titanium white, raw umber, yellow ochre, cadmium yellow, burnt sienna, ultramarine blue, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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