
plate no. 0905
Boris Grigoriev, 1930
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating subtle variations in value to suggest form. It also provides practice in capturing a likeness and conveying a mood.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Establish the main areas of light and shadow with a thin wash of color.
Begin building up the skin tones, mixing colors carefully and blending smoothly.
Define the features of the face, paying attention to the subtle variations in value and color.
Paint the hair, using short, directional brushstrokes to suggest texture.
Add the clothing, using darker values to create depth and dimension.
Refine the background, blending the colors and adding subtle details.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · burnt umber · cadmium red · ultramarine blue
secondary · yellow ochre · ivory black
Achieve skin tones by mixing white, red, umber, and a touch of blue. Use yellow ochre to warm the tones. Mix blue and umber for the dark clothing, adding red for subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor