apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a man
Portrait of a man by François-Joseph Navez

plate no. 9734

Portrait of a man

François-Joseph Navez, 1828

oil, canvasNeoclassicismportraitportraitmanclothingfacehairhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding light and shadow to create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and main lines of the clothing.

  2. step 02

    Establish the background with a dark, muted tone, gradually blending it to create depth.

  3. step 03

    Block in the main areas of the face with basic skin tones, paying attention to the highlights and shadows.

  4. step 04

    Refine the facial features, adding details to the eyes, nose, and mouth. Use subtle color variations to create a realistic effect.

  5. step 05

    Paint the clothing, focusing on the folds and wrinkles. Use darker tones for the shadows and lighter tones for the highlights.

  6. step 06

    Add details to the hair, using short, broken strokes to create texture.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed. Pay attention to the edges of the forms.

  8. step 08

    Add final details, such as the pin and the subtle highlights on the face and clothing.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. The black is muted with burnt umber to avoid a harsh, unnatural look.

techniques

  • ·portraiture
  • ·grisaille underpainting
  • ·glazing
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or unnatural skin tones.
  • →Flat, lifeless rendering of the clothing.
  • →Lack of attention to detail in the facial features.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs