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home·artworks·Portrait of a Maltese Knight
Portrait of a Maltese Knight by Bernardo Strozzi

plate no. 0671

Portrait of a Maltese Knight

Bernardo Strozzi, 1629

oil, canvasTenebrismportraitportraitfiguremancostumehistoricaldark background
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures. It also provides practice in using chiaroscuro to create dramatic lighting and depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions on the canvas.

  2. step 02

    Block in the main areas of dark and light using thin washes of burnt umber and raw sienna.

  3. step 03

    Establish the darkest areas of the background and clothing, gradually building up layers of paint.

  4. step 04

    Begin working on the face, focusing on capturing the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Render the details of the clothing, including the lace collar and cuffs, and the Maltese cross, paying attention to the folds and textures.

  6. step 06

    Paint the hands and the baton, carefully observing the anatomy and the way light falls on them.

  7. step 07

    Refine the details of the face, adding highlights and shadows to create a sense of depth and realism.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall effect.

color palette

primary · ivory black · burnt umber · raw sienna

secondary · titanium white · cadmium red light · yellow ochre

Mix blacks with burnt umber for richer darks. Use white and yellow ochre for highlights on the face and clothing. Add small amounts of cadmium red to the skin tones for warmth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Making the dark areas too flat and lifeless.
  • →Failing to capture the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ivory black, burnt umber, raw sienna, titanium white, yellow ochre, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel
  • ·portrait brush set

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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