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home·artworks·Portrait of a Lady
Portrait of a Lady by François Gérard

plate no. 6622

Portrait of a Lady

François Gérard

oilNeoclassicismportraitportraitwomandressjewelryhairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fine details like jewelry and hair. It also provides practice in creating smooth gradations and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and main elements of the dress.

  2. step 02

    Establish the background color with a thin wash of blue, allowing for subtle variations in tone.

  3. step 03

    Block in the main areas of color for the skin, dress, and shawl, using simplified values.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the hair, creating soft curls and highlights.

  6. step 06

    Add the jewelry, carefully rendering the metallic sheen and gemstone colors.

  7. step 07

    Refine the folds and drapery of the dress and shawl, adding subtle shadows and highlights.

  8. step 08

    Add final details and adjust values to create a sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt sienna · alizarin crimson

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, sienna, crimson, and a touch of blue. The shawl color is a blend of crimson and sienna. The background is created with varying shades of blue.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·color mixing
  • ·rendering details

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy skin tones by overmixing colors.
  • →Failing to capture the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending.

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oil painting for beginners →how to learn by studying the masters →
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