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home·artworks·Portrait of a Girl (Study for Youth of St. Sergiy Radonezhsky)
Portrait of a Girl (Study for Youth of St. Sergiy Radonezhsky) by Mikhaïl Nesterov

plate no. 4121

Portrait of a Girl (Study for Youth of St. Sergiy Radonezhsky)

Mikhaïl Nesterov, 1890

oil, panelSymbolismportraitportraitgirlfigurehairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using subtle color variations to create form. It also provides practice in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the background color with a thin wash of muted greens and grays.

  3. step 03

    Block in the main areas of color on the face, using a mix of yellows, ochres, and reds.

  4. step 04

    Define the shadows and highlights on the face to create form and depth.

  5. step 05

    Paint the hair, using a variety of browns and blacks, and pay attention to the direction of the brushstrokes to suggest the flow of the hair.

  6. step 06

    Add details to the eyes, nose, and mouth, using small brushes and precise strokes.

  7. step 07

    Paint the clothing, using a limited palette of dark colors and loose brushstrokes.

  8. step 08

    Refine the painting, adjusting colors, values, and edges as needed.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red light

Mix yellow ochre and white for the skin base. Use burnt umber and ultramarine for dark shadows. Add a touch of cadmium red to the cheeks and lips for warmth.

techniques

  • ·portraiture
  • ·alla prima
  • ·color mixing
  • ·blending
  • ·expressive brushwork

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Getting the proportions wrong, leading to a distorted likeness.
  • →Using too much detail, which can make the painting look overworked.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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