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home·artworks·Portrait of a Gentleman
Portrait of a Gentleman by John Singleton Copley

plate no. 6915

Portrait of a Gentleman

John Singleton Copley, 1783

oil, canvasNeoclassicismportraitportraitfiguremanclothinghistoricalformal
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric and details. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure, blocking in the dark background and lighter areas of the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Mix and apply the base skin tones, gradually building up layers of color and value to create a sense of depth and form.

  5. step 05

    Render the clothing, focusing on the folds and drapery, and adding details such as buttons and trim.

  6. step 06

    Paint the hair, using short, broken strokes to create texture and volume.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · burnt sienna · gold

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The background is a mix of ivory black and raw umber. Gold trim is created with yellow ochre and a touch of burnt sienna.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions
  • →muddy skin tones
  • →overworked details
  • →flat lighting

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ivory black, raw umber, titanium white, yellow ochre, cadmium red light, burnt sienna)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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