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home·artworks·Portrait of A. G. Spiridov
Portrait of A. G. Spiridov by Mikhail Shibanov

plate no. 2099

Portrait of A. G. Spiridov

Mikhail Shibanov, 1772

oilNeoclassicismportraitportraitfigurebookclothingmalehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for rendering skin tones. It also offers practice in painting fabric and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted tone, creating a sense of depth.

  3. step 03

    Block in the main areas of color for the face, clothing, and book, focusing on the overall value structure.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value that create form.

  5. step 05

    Develop the details of the clothing, including the ruffles and folds, using a combination of layering and blending.

  6. step 06

    Add highlights and shadows to the book to create a sense of three-dimensionality.

  7. step 07

    Refine the edges and details throughout the painting, ensuring that the overall composition is balanced and harmonious.

  8. step 08

    Add final glazes to unify the colors and create a sense of depth.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red, and a touch of yellow ochre and raw umber. Use ivory black and ultramarine blue to create the dark background and clothing, adding white for subtle variations.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details before establishing the overall value structure.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a smooth canvas for best results. Consider using a medium to thin the paint and improve blending.

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related guides

oil painting for beginners →how to learn by studying the masters →
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