
plate no. 2586
Barbara Krafft, 1822
Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also offers practice in creating soft, diffused lighting and subtle gradations of color.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes and proportions of the figure.
Block in the background with a thin layer of muted green and brown tones.
Establish the main skin tones, focusing on the highlights and shadows on the face and neck.
Begin layering and blending the skin tones to create a smooth, realistic effect.
Paint the dress, paying attention to the folds and highlights in the fabric.
Add the red sash and blue fabric, focusing on the color saturation.
Carefully render the hair, using small brushstrokes to create the curls.
Add the jewelry and other details, such as the lace trim on the dress.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red
secondary · ultramarine blue · ivory black · raw sienna
Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. The background is a mix of umber, black, and a touch of yellow ochre. The dress is primarily white with subtle shadows created by adding small amounts of umber and blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
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