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home·artworks·Portrait de Marie-Magdeleine Bille
Portrait de Marie-Magdeleine Bille by Christian Albrecht Jensen

plate no. 6568

Portrait de Marie-Magdeleine Bille

Christian Albrecht Jensen, 1829

oil, canvasNeoclassicismportraitportraitfiguredressbonnetprofilewoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value transitions to create form. It also provides practice in rendering delicate fabrics and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and bonnet.

  2. step 02

    Establish the background with a thin wash of dark color.

  3. step 03

    Block in the main areas of color: skin tones, dress, bonnet, and collar.

  4. step 04

    Begin refining the skin tones, paying attention to subtle value changes to create form.

  5. step 05

    Develop the details of the dress and bonnet, including the folds and lace.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of raw umber. The dress is primarily black with subtle variations created by adding small amounts of white or raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·underpainting

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle value changes.
  • →Making the dress too flat and lacking in dimension.
  • →Failing to capture the delicate details of the bonnet.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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