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home·artworks·Portrait de Marie Dumont-Walbonne (1763-1818), future épouse du peintre Jacques-Luc Barbier, dit Barbier-Walbonne
Portrait de Marie Dumont-Walbonne (1763-1818), future épouse du peintre Jacques-Luc Barbier, dit Barbier-Walbonne by François Gérard

plate no. 4692

Portrait de Marie Dumont-Walbonne (1763-1818), future épouse du peintre Jacques-Luc Barbier, dit Barbier-Walbonne

François Gérard, 1798

oilNeoclassicismportraitportraitfiguredresscurtainlandscapebook
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering fabric and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements like the head, hands, and book.

  2. step 02

    Establish the background with a thin wash of color, paying attention to the subtle gradations in the curtain and the distant landscape.

  3. step 03

    Block in the main areas of the figure, starting with the skin tones and then moving on to the dress and gloves.

  4. step 04

    Begin to refine the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the details of the dress, including the ruffles and folds, using a variety of brushstrokes to create texture.

  6. step 06

    Work on the hands and book, paying attention to the details of the fingers and the pages.

  7. step 07

    Add the final details, such as the highlights in the eyes and the subtle shadows on the face.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · viridian · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red and brown. Use glazes of diluted colors to create depth and luminosity.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Lack of depth in the background
  • →Ignoring subtle variations in color and value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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