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home·artworks·Portrait de Madeleine
Portrait de Madeleine by Marie-Guillemine Benoist

plate no. 5966

Portrait de Madeleine

Marie-Guillemine Benoist, 1800

oil, canvasNeoclassicismportraitportraitfigurewomanheadwrapdraperyskin tones
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and drapery folds. It also provides practice in creating subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, headwrap, and drapery.

  2. step 02

    Establish the background color with a thin wash of yellow ochre and white.

  3. step 03

    Block in the main areas of light and shadow on the figure, focusing on the overall form.

  4. step 04

    Begin refining the skin tones, using a limited palette of browns, reds, and yellows.

  5. step 05

    Add details to the headwrap, paying attention to the folds and highlights.

  6. step 06

    Develop the drapery, creating a sense of depth and volume.

  7. step 07

    Refine the facial features, capturing the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · yellow ochre · burnt umber · titanium white · ivory black

secondary · ultramarine blue · cadmium red light

Achieve realistic skin tones by mixing burnt umber, yellow ochre, and cadmium red light, adjusting the proportions to create variations in value and temperature. Use ultramarine blue and white for the blue drapery, and white with a touch of yellow ochre for the headwrap.

techniques

  • ·portraiture
  • ·skin tone mixing
  • ·blending
  • ·glazing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Flat or lifeless drapery
  • →Ignoring subtle variations in light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a smooth canvas for best results. Consider using a medium to improve the flow of the paint.

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related guides

oil painting for beginners →how to learn by studying the masters →
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