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home·artworks·Portrait de Madame Regnaud de Saint-Jean-d'Angély, née Laure Guesnon de Bonneuil (1776-1857)
Portrait de Madame Regnaud de Saint-Jean-d'Angély, née Laure Guesnon de Bonneuil (1776-1857) by François Gérard

plate no. 2717

Portrait de Madame Regnaud de Saint-Jean-d'Angély, née Laure Guesnon de Bonneuil (1776-1857)

François Gérard, 1798

oilNeoclassicismportraitportraitfiguredresslandscapeskycurtain
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering of fabric and drapery. It also provides practice in creating atmospheric perspective in the background landscape.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with thin washes of color, establishing the sky and landscape.

  3. step 03

    Establish the basic skin tones with a mid-tone base layer.

  4. step 04

    Begin layering and blending colors to create the form of the face, paying attention to highlights and shadows.

  5. step 05

    Block in the dress and sash with their respective base colors.

  6. step 06

    Add details to the dress, including folds, shadows, and highlights.

  7. step 07

    Refine the background and add details to the curtain and landscape.

  8. step 08

    Add final details, such as jewelry and subtle highlights.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Skin tones are achieved through subtle mixes of white, red, yellow ochre, and a touch of blue or umber for shadows. The dress is a mix of black, blue, and green. The red cushion is a mix of red and alizarin crimson.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth in the background landscape.
  • →Overworked or stiff drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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