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home·artworks·Portrait De Madame Bauquin Du Boulay Et De Sa Niece
Portrait De Madame Bauquin Du Boulay Et De Sa Niece by François Gérard

plate no. 8408

Portrait De Madame Bauquin Du Boulay Et De Sa Niece

François Gérard

oilNeoclassicismportraitfiguresportraitwomendressfoliagefamily
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the background with broad strokes, focusing on creating depth and atmosphere.

  4. step 04

    Begin refining the skin tones, paying close attention to subtle variations in color and value.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the facial features, capturing the likeness and expression of the subjects.

  8. step 08

    Make final adjustments to the overall composition and details.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue · sap green

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the off-white of the dresses by adding small amounts of umber and yellow ochre to white. Mix greens for the background by combining blue, yellow, and umber.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to create a sense of depth in the background.
  • →Not capturing the likeness and expression of the subjects.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value range.

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