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home·artworks·Portrait de la baronne, Dannery tenant son fils Jean Germain Samuel dans ses bras
Portrait de la baronne, Dannery tenant son fils Jean Germain Samuel dans ses bras by Marie-Gabrielle Capet

plate no. 6761

Portrait de la baronne, Dannery tenant son fils Jean Germain Samuel dans ses bras

Marie-Gabrielle Capet

oilNeoclassicismportraitportraitfiguremotherchildlandscapeclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing soft blending techniques to achieve a smooth, classical finish.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figures and background.

  2. step 02

    Block in the main color areas: skin tones, clothing, background sky and landscape.

  3. step 03

    Begin refining the skin tones, focusing on subtle value changes and soft blending.

  4. step 04

    Develop the details of the clothing, paying attention to folds and highlights.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture.

  6. step 06

    Refine the background landscape, using soft washes of color to create depth.

  7. step 07

    Add final details, such as jewelry and facial features.

  8. step 08

    Glaze with thin layers to adjust colors and values as needed.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium red light · ivory black

Mix skin tones using titanium white, yellow ochre, and a touch of cadmium red light. Use ultramarine blue and white for the sky, adding small amounts of burnt umber for the darker areas. Mix the clothing colors with yellow ochre, burnt umber, and ultramarine blue.

techniques

  • ·portraiture
  • ·soft blending
  • ·glazing
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the correct proportions of the figures.
  • →Using too much detail in the background, distracting from the main subject.
  • →Not blending colors sufficiently, resulting in a choppy or uneven finish.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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