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home·artworks·Portrait de Jacques Louis David adolescent
Portrait de Jacques Louis David adolescent by Joseph-Marie Vien

plate no. 4953

Portrait de Jacques Louis David adolescent

Joseph-Marie Vien, 1765

oilNeoclassicismportraitportraitfigurebookpenclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering fabric and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, book, and pen.

  2. step 02

    Establish the background with a thin wash of dark brown and gradually build up the darker values.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and book, focusing on the overall value relationships.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the clothing, including the folds and highlights, using a combination of blending and layering.

  6. step 06

    Add the details of the book and pen, paying attention to their texture and form.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · cadmium red light

Mix skin tones by blending white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create the dark blues of the coat, adjusting the ratio for different shades. Add white to lighten the blues.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations in value.
  • →Making the background too dark or too light.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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