
plate no. 7330
This painting provides practice in portraiture, focusing on capturing likeness and subtle tonal variations in skin tones. Recreating it will also help develop skills in rendering clothing and creating a sense of depth through value contrast.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and chair.
Establish the background color with a thin wash of dark brown.
Block in the main areas of the face, hair, and clothing with basic colors.
Begin refining the skin tones, paying attention to highlights and shadows.
Add details to the eyes, nose, and mouth, focusing on capturing the likeness.
Work on the clothing, creating folds and shadows to give it volume.
Refine the background and chair, adding subtle details.
Add final highlights and shadows to create a sense of depth and realism.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium red light
Mix skin tones by blending white, yellow ochre, and a touch of red and umber. Achieve darks by mixing black and umber. Use white to create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas for best results. Consider using a medium to thin the paint and improve blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs