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home·artworks·Portraet Anna Maria Lergetporer
Portraet Anna Maria Lergetporer by Barbara Krafft

plate no. 2355

Portraet Anna Maria Lergetporer

Barbara Krafft, 1811

oilNeoclassicismportraitportraitfiguredressflowerstreeslandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering delicate skin tones, as well as understanding how to depict fabric and subtle light variations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with a light wash of blues and greens, gradually building up the foliage.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and pose.

  4. step 04

    Begin layering the dress, using highlights and shadows to create the illusion of folds and fabric texture.

  5. step 05

    Refine the facial features, focusing on accurate proportions and subtle gradations of tone.

  6. step 06

    Add details to the hair, jewelry, and flowers, using smaller brushes for precision.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · alizarin crimson · ultramarine blue · sap green

Mix various shades of white with small amounts of yellow ochre, raw umber, and alizarin crimson to create realistic skin tones. Use ultramarine blue and ivory black to create the darker shades of the background foliage.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the delicate quality.
  • →Failing to create a sense of depth in the background.
  • →Making the dress look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas can help establish values.

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oil painting for beginners →how to learn by studying the masters →
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