
plate no. 5708
Eugène Jansson, 1902
Recreating this painting will help students practice portrait proportions and color mixing for skin tones and fabric. It also provides an opportunity to explore subtle brushwork and blending techniques.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and clothing.
Block in the background with a light wash of yellow and ochre, creating subtle variations in tone.
Establish the main values of the face, using a mix of white, yellow ochre, and a touch of red for the skin tones.
Paint the hair and beard using dark blues and browns, adding highlights with lighter tones.
Block in the clothing with a light blue-gray mixture, paying attention to the folds and shadows.
Add details to the face, such as the eyes, nose, and mouth, using small brushes and subtle color variations.
Refine the details of the clothing, adding highlights and shadows to create depth and texture.
Add the final details, such as the bow tie and any other small elements, and adjust the overall composition as needed.
color palette
primary · yellow ochre · titanium white · ultramarine blue
secondary · burnt sienna · raw umber
Mix yellow ochre and white for the background and skin tones. Add a touch of burnt sienna to warm the skin tones. Use ultramarine blue and white for the clothing, and mix with raw umber for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.
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