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home·artworks·Port of Marseille
Port of Marseille by Claude-Joseph Vernet

plate no. 5730

Port of Marseille

Claude-Joseph Vernet, 1754

oil, canvasNeoclassicismmarinaharborshipsfiguresbuildingsskywater
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex scenes with many figures, and creating subtle color gradations to depict light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the horizon line, the ships, the buildings, and the general placement of the figures.

  2. step 02

    Establish the sky with a thin wash of light blue and grey, blending the colors to create soft clouds.

  3. step 03

    Block in the water using a mix of blues and greens, paying attention to the reflections of the ships and buildings.

  4. step 04

    Paint the distant buildings and ships using muted colors to create atmospheric perspective.

  5. step 05

    Start adding details to the main ship, focusing on the rigging and sails.

  6. step 06

    Begin painting the figures on the dock, starting with the larger shapes and gradually adding details.

  7. step 07

    Add highlights and shadows to create depth and dimension in the figures and objects.

  8. step 08

    Refine the details throughout the painting, paying attention to the overall balance and harmony.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black · sap green

Achieve the muted tones by mixing complementary colors. Use white to lighten colors and create subtle gradations. Mix blues and greens with raw umber to create the colors of the water.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·aerial perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Using colors that are too saturated, which can flatten the image.
  • →Failing to create a sense of depth and distance.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of raw umber can help establish a warm undertone.

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