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home·artworks·Porcelain Figurines on a Stone Shelf
Porcelain Figurines on a Stone Shelf by Konstantin Somov

plate no. 7318

Porcelain Figurines on a Stone Shelf

Konstantin Somov, 1930

oilSymbolismstill lifefigurineswindowcurtainsportraitshelfinterior
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle gradations and in rendering the illusion of depth through atmospheric perspective. It also provides practice in capturing the delicate details of small objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, paying attention to proportions and placement of the figurines and the window.

  2. step 02

    Establish the background colors, starting with the darkest areas and gradually working towards the lighter tones.

  3. step 03

    Block in the basic colors of the figurines, focusing on capturing their overall form and value.

  4. step 04

    Begin adding details to the figurines, refining their shapes and adding highlights and shadows to create depth.

  5. step 05

    Paint the window and curtains, paying attention to the way light filters through the window and the folds in the fabric.

  6. step 06

    Add the details of the shelf and the objects on it, such as the balls and the trim.

  7. step 07

    Refine the overall painting, adjusting colors and values as needed to create a cohesive and harmonious image.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · alizarin crimson · viridian

Achieve the muted tones by mixing complementary colors and adding white. Use glazes of diluted color to create depth and luminosity.

techniques

  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective
  • ·rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·medium gloss
  • ·retarder

Use high-quality paints for best results. A toned canvas can help establish the overall color harmony.

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