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home·artworks·Plate 61. Great Horned Owl
Plate 61. Great Horned Owl by John James Audubon

plate no. 8596

Plate 61. Great Horned Owl

John James Audubon

oilNaturalismillustrationowlsbirdsbranchwildlifefeathers
some experience helpful

Recreating this painting will help students develop skills in layering colors to create realistic textures and accurately rendering fine details like feathers and branch textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the owls and the branch.

  2. step 02

    Apply a thin, diluted wash of raw umber or burnt sienna to establish the base tones of the owls and branch.

  3. step 03

    Begin layering darker values to define the shadows and contours of the owls' bodies and the branch.

  4. step 04

    Use a fine brush to add details to the feathers, paying attention to the direction and pattern of the markings.

  5. step 05

    Mix and apply the colors for the eyes, using small, precise strokes to capture the highlights and shadows.

  6. step 06

    Add the lighter values to the feathers and branch, creating highlights and texture.

  7. step 07

    Refine the details of the branch, including the moss and lichen.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic image.

color palette

primary · raw umber · burnt sienna · yellow ochre · ivory black

secondary · titanium white · cadmium yellow · raw sienna

Achieve the feather colors by layering washes of raw umber, burnt sienna, and yellow ochre, then adding details with a fine brush using mixtures of ivory black and white for darks and white and yellow ochre for highlights.

techniques

  • ·dry brushing
  • ·layering
  • ·glazing
  • ·feathering
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Losing the overall form by focusing too much on individual feathers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paints for best results. Consider using a magnifying glass for fine details.

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