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home·artworks·Plate 162 Zenaida Dove
Plate 162 Zenaida Dove by John James Audubon

plate no. 7097

Plate 162 Zenaida Dove

John James Audubon

oilNaturalismillustrationbirdsleavesbranchesflowersfoliage
some experience helpful

Recreating this painting will help students develop skills in accurate observation, color mixing for natural tones, and layering to achieve depth and detail in botanical and ornithological subjects.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the branches, leaves, flowers, and birds, paying attention to proportions and angles.

  2. step 02

    Apply a thin, diluted wash of background color to establish the overall tone.

  3. step 03

    Begin layering in the base colors for the leaves, flowers, and birds, using light and muted greens, browns, and oranges.

  4. step 04

    Add shadows and highlights to the leaves and flowers to create volume and dimension.

  5. step 05

    Carefully paint the details of the birds' feathers, beaks, and eyes, using fine brushes and precise strokes.

  6. step 06

    Refine the branch structure and add details like twigs and textures.

  7. step 07

    Add final highlights and shadows to enhance the overall realism and depth.

  8. step 08

    Review and adjust colors and values as needed to achieve a harmonious and balanced composition.

color palette

primary · sap green · raw umber · burnt sienna

secondary · ivory black · cadmium orange · titanium white

Mix greens by blending sap green with raw umber and titanium white. Achieve bird feather colors by layering burnt sienna, raw umber, and touches of ivory black. Use white to lighten tones and create highlights.

techniques

  • ·glazing
  • ·dry brushing
  • ·color layering
  • ·fine detail work
  • ·blending

common pitfalls

  • →overworking details too early
  • →using colors that are too saturated
  • →losing the overall composition by focusing on individual elements
  • →inaccurate proportions in the initial sketch

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·round brushes (sizes 0, 2, 4)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·kneaded eraser
  • ·ruler
  • ·magnifying glass
  • ·masking fluid

Use high-quality watercolor paints for best results. Consider using a light box to transfer the initial sketch onto the watercolor paper.

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oil painting for beginners →how to learn by studying the masters →
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